Albert Henry Munsell (1858–1918, Boston, USA) was a key figure in bridging the gap between art and science. A painter, art teacher, and inventor, he is known for developing one of the most influential systems for classifying and describing color: the Munsell Color System .


Drawing inspiration from art and science, and motivated and influenced by new discoveries in visual psychology and optics, Munsell developed a system based on how the human eye perceives color, a key departure from the traditional color wheel that influenced how Munsell’s three-dimensional representation was presented. In 1905, Munsell published “A Color Notation,” a seminal work in color theory that presented his color classification system based on three perceptual attributes: hue, value, and chroma.
This system transformed the way we understand and use color, as Munsell established the three differentiating aspects of color: tone, lightness, and hue. This enabled more precise and universal communication about something so seemingly subjective, leaving a legacy that is still relevant today, especially in the digital age.


The Munsell Color Scale
Also known as the Munsell Tree, the color system created by the American inventor is based on three main dimensions:
Hue: Represents the type of color, such as red, yellow, green, blue, etc. Munsell defined 10 main tones subdivided into intermediate steps to obtain 100 tones in total.

Value: The lightness or darkness of a color, on a scale of 0 (black) to 10 (white). It represents perceptual luminosity.

Chroma: Measures the intensity or saturation of a color, ranging from neutral gray (chroma 0) to more vibrant colors. The maximum number varies depending on the hue and value.


In 1917, Munsell founded the Munsell Color Company, which later evolved into institutions such as the Munsell Color Science Laboratory (University of Rochester), a benchmark in color perception research.
His system served as the basis for later developments, including international standards such as CIELAB. Munsell demonstrated that color could be described with scientific precision without losing its aesthetic and artistic richness.